MIDDLEWALK-41
In as much as Haley and I are getting married tomorrow, I hired Kent for the day to help me move some of Haley's stuff. The largest two pieces are a dresser, and a vanity. After we took off the mirror, the two of us carried the pieces to the mine carts, which brought them close to my house. I cleared out one end of the first floor, past the dining room table, to be a space just for Haley (her private girl cave). It was here that we arranged most of the items that she wanted us to bring, including a sizable bulletin board. While we were moving the heavier items, Haley packed the things that she wanted us to take (clothes, shoes, makeup, towels, bathroom items, dishes) into rather heavy suitcases for us to also move. Tomorrow, all Haley has to do is to wake up, have Cinderella (I mean Emily) help her with nails, hair, getting dressed, calming nerves etc. etc. and show up on time. I also hired Leah to be our official wedding photographer, and she will show up at Emily and Haley's house early in the morning to take pictures of the bride's preparation.
Today is Spring 2. As the bride makes her entrance, and walks down the aisle, most weddings play Bach's Prelude #1, or the currently popular Pachelbel's Canon. I had a different idea that I hoped would forever etch this moment into my bride's memory. I went to Elliott, and asked him how they put the piano in his shack. He said that it was not too hard, as four men could move the piano rather easily. I then asked if I could borrow the piano for the wedding, and remembering the last time that I played, he instantly agreed. So, there I was, sitting at the piano, when on a signal from the back that all was ready, I began to play Chopin's Etude In E, Opus 10, #3. Jaz our flower girl appears, walking down the aisle, smiling like crazy, and flinging flower petals left, right, and everywhere from her basket. Haley and Emily then follow, walking slowly arm in arm to the front. The short dazzling (and difficult) middle section of the piano piece slowed down to a reprise of the opening page, perfectly timed as they reached the front. I then hopped up and took my place next to Haley. And when Lewis said, "Who gives this woman to this man?" Emily spoke up and said, "Her sister does." When it came time for the rings, I nodded to Vincent, who had a front row seat, and looking very serious and honored, he got up and handed me the box with the two rings. Haley easily put mine on, but when it came to my turn, I pretended to try and put it on her thumb. Haley said, "Ouch! That's my thumb," loud enough for everyone attending to hear, and laugh. Then I gave her a smile and the tiniest stick out of my tongue (so only she could see it) and slipped the ring where it belonged. (I've picked up a trick or two from the master, but I'm sure that I'll pay for it later). A few moments later, the time arrived for us to seal our destinies with a kiss.
Although not everyone attended the wedding, the entire valley turned out for the reception. And why not, for everything, including the booze was free (for them, not me). Even Linus and the Wizard were there, sitting at the same table with Marlon and Gil. I had hired Clint to tend to the bar, and I asked him to keep an eye out especially for Pam. But Pam's liver could burn through alcohol at a record pace, and there was not enough time between the start of the reception and the serving of the food for her to get really drunk. Actually, it was poor Doc. Harvey who might have overdone it. His face was flushed, and he drifted about from single lady to single lady trying to talk about airplanes; a subject of less than zero interest to young ladies at a wedding.
Gus was in charge of the food, and since he did not have any extra help, he served it buffet style. Salads and rolls at the beginning of the line, vegetable dishes in the middle and baked fish with a carving station (manned by Gus) at the end. Both Haley and I had too much adrenaline flowing to be hungry, so for the most part, we simply walked about the room to each of the tables, and tried to make the guests feel special and welcome.
Outside of an occasional glass of wine, neither Haley nor I are into alcohol, but we do eventually sit down and sip a little pink champagne as a toast, before Emily takes center stage and gives the loveliest speech about us. Music from the juke box is turned off, and his catering chores done, Gus steps up to our table, and two feet apart from Haley, plays a magical tune on his violin. I instantly recognize it as Massenet's, "Meditation from the opera Thais." For nearly five minutes, one could hear a pin drop in the room, no forks hit the plates, no coughs, a pure musical gift.
It's time for Haley to throw her bouquet, and the single ladies form a tightly knit pack a short distance behind her. Ten feet behind the group, Leah is positioned to capture a picture of the lucky recipient. Haley chucks the flowers high and far, and to the surprise of all, they land right on Leah's face and camera. Now our album has two pictures of that moment. One with the flowers high in the air, and one in which they are considerably larger, landing with the size of a jet passenger plane, inches away from the camera. No one is more shocked than Leah, who eventually holds the flowers up as the winner. Both Haley and I hope that there is something to this tradition.
Of course, our wedding cake was pink. I fed Haley a piece rather politely, and then my pretty bride took an extra-large piece and at the last moment, smashed it up against my nose. I knew it was coming. I probably deserved it. Later, we put the top of the cake in a box to take home. Supposedly, one is to freeze it for a year, and then to eat it, but I can personally promise that this particular top will not survive the next few days. I loved our wedding. I sincerely wished that it would never end, but of course, the time arrived for us to go. The community center door closed behind us as hand in hand we walked in the dark to 'our' new home.